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As South Korean cinema gains worldwide attention, the industry is increasingly looking beyond national borders to pursue international collaborations. In the years since Parasite  (2019), Korean studios, directors, and distributors have expanded their global reach through co-productions, multinational financing, and strategic partnerships with major entertainment companies. These developments signal not only Korea’s growing influence in global media but also a shift in how na

While South Korea’s global film reputation has often been tied to internationally known male auteurs such as Bong Joon-ho, Park Chan-wook, and Lee Chang-dong, the past decade has seen a growing number of women filmmakers reshape the country’s cinematic landscape. In the post- Parasite  period, their visibility, influence, and recognition have expanded both domestically and abroad. This shift reflects broader cultural conversations on gender equality in Korea, as well as new i

In recent years, South Korea’s film and television industry has undergone a rapid transformation. One of the most significant drivers of this change has been the rise of streaming platforms, which have reshaped production models, distribution channels, and audience behavior. In the post- Parasite  era, these shifts have created new opportunities for Korean filmmakers while also generating concerns about sustainability, market control, and cultural identity. The Rise of Global

In the years following Parasite ’s (2019) global triumph, Korean filmmakers have faced an intriguing challenge: how to preserve the distinct voice of Korean cinema while engaging an increasingly global audience. The post- Parasite  era has not only elevated South Korea’s visibility in world cinema but also reshaped creative decisions about what kinds of films get made, and who they are made for. From Local Realism to Global Reach For decades, the strength of Korean cinema ha

When Bong Joon-ho’s Parasite  (2019) made history as the first non-English-language film to win the Academy Award for Best Picture, it symbolized a breakthrough not only for South Korea but for world cinema. The film’s success introduced millions to Korean cinema, sparking a surge of global curiosity about South Korean culture, film, and storytelling. In the years since, the Korean film industry has entered a new era—marked by global acclaim , technological change , and a ra